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The principle of his work is the reconstruction of camera motions.
All frames of sequence, in which the camera made a motion, have
been digitalized and reduced in size. Afterwards they were rearranged
in an animation program. Each frame appears now on a slightly
different position than the frame before, according to the motion
of the camera between these two specific moments. The (small)
part of each frame which is not overwritten by the following frame
remains visible. You see a film which itself is moving and simultanously
is freezing in the trace of its images. A hybrid between static
and dynamic image. Sedimentation/
Film1 is using film-footage taken from news-reels of the fourties.
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