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Raphael Montañez Ortiz, USA |
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Beach Umbrella |
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USA , 1985-86
Video, 7:30 min
Regie/Director, Realisation: Raphael Montañez Ortiz, USA |
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Ortiz deconstructs a predetermined image structure, intervening
with constant repetitions and also in contrast to many later
laserdisk-based works copying in animated sequences. In this
way, a beach scene is slyly dismantled then pieced together again
on video. A tape about the depth psychology of US society. |
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The Critic |
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USA , 1995
U-matic, 15 min
Regie/Director, Realisation: Raphael Montañez Ortiz, USA |
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The Critic seeks to reveal the tormented soul of the writer,
his agony and passion in creation that as it reveals hypocracy
dooms him to obscurity. The critic himself is in a tug of war
with the writer, seeking to tear from the writers soul his dream,
to posses it, to dominate it, to yank it out from under him. Raphael
Montañez Ortiz uses the typwriter, the writers instrument of expression
to create a mesmerizing stacatto, telling the writers tale, a
staccato of sounds that in their rhythmic ritualness, voice the
agony and ecstacy, the anger and passion of the writers creation,
revealing the writers struggle with the envious critics, his
demons that ever haunt his creations, seeking to posses, to control
or destroy his dreaming, seeking to awaken him from his forced
drunken sleep that he may never dream again. |
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